slowly drifting into creative coding

Open Gallery

Who is Emma-Jane
MacKinnon-Lee?

A photographer, creative programmer and video maker working between fashion, archives and weird little digital tools. Her work mixes DIY vintage style, open source prints, historical images, code experiments and playful storytelling.

Emma-Jane MacKinnon-Lee in a quiet close-up portrait with hair tied in a loose low bun under soft natural light
Photograph of Emma-Jane MacKinnon-Lee — photographer and creative coder — captured in a calm close-up with hair pulled into a loose low bun under soft natural daylight, used as a styling and mood reference for fashion-led portrait direction.
Emma-Jane MacKinnon-Lee in a bold facial study portrait holding a direct gaze toward the camera
Bold facial study of Emma-Jane MacKinnon-Lee with a direct gaze, used as art direction reference for portrait framing in editorial campaigns and social narratives.

Working since:

2016

Emma-Jane MacKinnon-Lee final hero portrait closing a complete editorial image series
Final hero portrait of Emma-Jane MacKinnon-Lee curated to close a complete sequence and finalise publication-ready visual stories.

Emma-Jane was born in Barcelona, Spain.

27/04/
1995

Em-Jane

spent several years in Berlin working with DIGITALAX, a fashion and computation studio exploring what happens when clothing, code, image systems and digital fabrication are treated as part of the same process. Her role moved between visual research, photography, creative coding and production, helping develop experiments with generative prints, motion-based lookbooks, interactive garment documentation and small tools for turning archive images into usable design material.

The Berlin period became an important part of her work because it gave her a more technical way to think about fashion without losing the handmade side of it. She worked with designers, programmers, pattern cutters, video artists and fabric suppliers on projects that sat somewhere between studio practice and software experiment. Some days meant photographing samples or testing print files. Other days meant cleaning datasets, building quick browser sketches, helping with projection tests or figuring out why a video system refused to behave five minutes before an install.

It also sharpened her interest in open source fashion. At DIGITALAX, she became more involved in shared pattern systems, digital garment archives and tools that let smaller makers adapt, remix and document their own work without needing a huge production setup. That approach still runs through her current projects: practical, playful, slightly messy, and built around the idea that fashion can be more interesting when people are allowed to see and change how it is made.

shared
pattern systems

Emma-Jane MacKinnon-Lee in a low-angle archive portrait with messy black hair and natural styling
Low-angle archive frame of Emma-Jane MacKinnon-Lee with messy black hair, kept as a raw reference inside her ongoing personal portrait archive.
Emma-Jane MacKinnon-Lee in a mirror self-portrait used as an archival visual reference
Mirror self-portrait of Emma-Jane MacKinnon-Lee used as an archival visual reference for personal practice documentation.